This essay is worth reading.
Is America Becoming Fascist?
by ANIS SHIVANI
This essay is worth reading.
by ANIS SHIVANI
Not since the death of James Dean has the tragic loss of a young actor elicited such a reaction. When I cliicked on the link in Google News for the NYT story I was a little in shock from the news. I found that there were already almost 700 comments, mostly condolences and praise from other shocked fans. Many sounded like they were lamenting someone they actually knew, rather than a movie actor. I understand this rather peculiar reaction all too well.
I “knew” Ledger mostly from his work in “A Knights Tale”, which I viewed three or four times on cable, and “Brokeback Mountain”, which I’ve seen fifteen times. My reaction to Brokeback was uncharacteristic. Because of Katrina, I hadn’t seen BBM at a theater. Around 6 months after its release I finally had some free time, and I ordered it on PPV one Sunday afternoon. I had already been warned that it was a long movie, and being a lover of Sci Fi and action films I wondered if it could hold my attention for two and a quarter hours. I was enthralled by the film from scene one. The score, the cinematic imagery, the acting, the story and the characters just grabbed my attention and wouldn’t let go. I hardly blinked. When it was over, (this is the first time I had ever done this) I had to watch the entire movie, again, right away.
Ledger played Ennis Del Mar, about whom the story was centered. Jake Gyllenhal played opposite Ledger in the role of Jack Twist, and his performance was also more than noteworthy. But Ledger pulled me into his character in a very personal way, and not because of biographical similarities. On the contrary, he lived in a world foreign to this NYC native. His tormented anima was apparent in every facial expression and gesture, burning in every scene right beneath the surface of his cowboy stoicism and his angry machismo. This was a young man of singular talent and empathy. He seemed to crawl inside his characters without compass or light, ever in danger of getting lost in there.
The musical score by Gustavo Santaolalla is perfection. Hearing just the first few notes of it now brings back the emotional firestorm that is this film. The story from Pulitzer Prize winner, Annie Proulx first appeared as a wonderful short story in New York magazine, and it is handled quite deftly by screenwriters Larry McMurtry and Diana Ossana.
To me it is Ledger’s command of the roles he played which made him a great actor, and the personal connection he forms with the audience which will make him a legend.
Below is his bio from the film’s official web site, and so it does not include his work after that landmark film. At the end of this post you will find links to web sites about Mr Ledger.
Heath Ledger was born and raised in Perth, Australia.
At the age of 10, he enrolled in the local theater company. While performing on stage, he also began landing roles on such Australian television series as Clowning Around, Bush Patrol, Corrigan, Ship to Shore, and Home and Away.
In 1997, Mr. Ledger starred in an American television series, Roar, which was filmed in Queensland, Australia. The series landed him an American talent agent, and he decided to make his move to America.
He returned to Australia to star in Gregor Jordan’s award-winning feature Two Hands. Back in America, starring roles in four major films soon followed: the popular comedy 10 Things I Hate About You(opposite Julia Stiles for director Gil Junger); Roland Emmerich’s blockbuster The Patriot (alongside Mel Gibson); Brian Helgeland’s hit A Knight’s Tale; and the Academy Award-winning Monster’s Ball (with Billy Bob Thornton and Halle Berry for director Marc Forster).
Mr. Ledger’s subsequent films include Shekhar Kapur’s The Four Feathers, Brian Helgeland’s The Order, Gregor Jordan’s Ned Kelly, Catherine Hardwicke’s Lords of Dogtown, and Terry Gilliam’s The Brothers Grimm.
He next stars in Lasse Hallstrom’s Casanova, as the legendary title character. Mr. Ledger also recently returned to Australia to make a new independent feature, Neil Armfield’s Candy (with Abbie Cornish and Geoffrey Rush).
So now George Bush seems to finally believe that the US should be involved in brokering peace beween Israel and the Palestinians. Five years ago he refused to consider talking directly to the pricncipals in that conflict, just as he refused to talk to North Korea or Iran. Now he’s back from hopping around the middle east, hoping to improve his legacy, or create one that transcends simply being our worst and stupidest President ever. As Bill Maher put it, for five years lives were lost, while Bush was getting on the job training.
But is this new attitude really a result of Bush having actually learned something or is it comparable to a deathbed repentence in which he will try to repudiate the sins which has caused his approval ratings to crash? “Too little, too late” doesn’t begin to characterize his ingenuous posturing.
Likewise, he announced his intention for an economic stimulus package. This is an issue that has bi-partisan support, and any viable package will be crafted by legislators on both sides of the aisle. He ruined our economy with his stubborn ideologies and his ill-advised deployment of our military. Now, he wants to take credit for issuing the prescription needed to treat the malady created by his own incompetent policies.